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Hypatodorus

(211 words)

Author(s): Neudecker, Richard (Rome)
[German version] (Ὑπατόδωρος; Hypatódōros). Bronze sculptor from Thebes, worked in the middle of the 5th cent. BC. In Delphi, H., together with Aristogiton, created the ‘Seven Against Thebes’, as well as, according to an extant signature, the votive for a Boeotian. The former was erected by the Argives as a victory votive after the battle of Oenoe (around 460 BC) (Paus. 10,10,3-4). Its base was identified at the beginning of the Sacred Way. H.'s bronze statue of Athena in Aliphera in Arcadia, the b…

Periclytus

(113 words)

Author(s): Neudecker, Richard (Rome)
[German version] (Περίκλυτος; Períklytos). Sculptor, pupil of  Polyclitus [2]. P. is named as the teacher of an Antiphanes active in Delphi in 359 BC. Pausanias (2,22,7) mentions a brother of Naucydes, but the name is given variously in MSS as P. or Polyclitus. Hence P. plays a part in the reconstruction of the family tree of Polyclitus [2] and [3], whereas of his work nothing is known. Neudecker, Richard (Rome) Bibliography Overbeck, no. 985, 995  D. Arnold, Die Polykletnachfolge, 1969, 6; 12-14  A. Linfert, Die Schule des Polyklet, in: H. Beck (ed.), Polyklet. Der Bildhauer der gri…

Athanadorus

(210 words)

Author(s): Neudecker, Richard (Rome)
[German version] Son of Agesander; sculptor from Rhodes. Worked with  Agesander and  Polydorus; his marble copies of Hellenistic bronze groups were celebrated even in antiquity. The workshop's creative period was at first set in the mid 1st cent. BC, on the basis of Rhodian inscriptions, but after the discovery of the extensive sculpture complex of Sperlonga, most probably going back to the time of Tiberius, it can be fixed in the early Imperial period. The Scylla group is signed. Also by him are …

Kolossos

(310 words)

Author(s): Neudecker, Richard (Rome)
[German version] (κολοσσός, kolossós; lat. colossus). Statues of remarkable size were called kollossoi, originally in Greek literature with regard to their function as immovable representatives. Since the kolossos of Rhodes (293 BC), kolossos became a technical term for statues with a measurement of 100 feet (29 m) to as little as 10 feet. Modern scholars consider a kolossos to be at least twice life-sized. Marble kolossoi first appear in the 1st half of the 6th cent. BC ( kouroi in Samos, Delos, Naxos), influenced by large Egyptian sculpture. In the 5th cent. BC, kolossoi were produced…

Pyrilampus

(92 words)

Author(s): Neudecker, Richard (Rome)
[German version] (Πυρίλαμπος; Pyrílampos). Bronze sculptor, son of Agias from Messene. A preserved Exedra base with signature of P. was dated in the 2nd or 1st century BC. It is uncertain whether this refers to the same P. of whom Pausanias (6,3,13; 6,15,1; 6,16,5) saw three victory statues in Olympia. Neudecker, Richard (Rome) Bibliography Overbeck, no. 1565-1567  Loewy, no. 274  Lippold, 380  EAA 6, s. v. Pyrilampus, 1965, 572-573  G. Maddoli, Pyrilampes, dimenticato scultore di Sicione, e la cronologia di Pyrilampes di Messene, in: Dialoghi di archeologia 7, 2, 1989, 65-69.

Athenis

(41 words)

Author(s): Neudecker, Richard (Rome)
[German version] Sculptor from Chios, son of  Archermus. He worked in the late 6th cent. BC on Delos, in Iasos, Chios and in Athens with his brother  Bupalus. Neudecker, Richard (Rome) Bibliography Fuchs/Floren, 335-337 Overbeck, no. 314, 315, 318 (sources).

Theocosmus

(90 words)

Author(s): Neudecker, Richard (Rome)
[German version] (Θεόκοσμος; Theókosmos). Sculptor from Megara in the late 5th cent. BC, father of Callicles [2]. With the help of Pheidias he created a gold-ivory cult image of Zeus (Gold-ivory technique) in Megara, which remained unfinished after 431 BC because of the Peloponnesian War. On the victory monument of Lysander [1] in Delphi (in 405 BC) T. made the statue of Hermon [3]. Neudecker, Richard (Rome) Bibliography Overbeck, Nr. 855; 979; 1035  Lippold, 203 f.  P. Moreno, s. v. T., EAA 7, 1966, 816  A. Jacquemin, Offrandes monumentales à Delphes, 1999, Nr. 322.

Bryaxis

(339 words)

Author(s): Neudecker, Richard (Rome)
[German version] (Bρύαξις; Brýaxis) Sculptor of Carian descent. The traditional list of his works implies such a long period of creative activity, that even in antiquity, his works were divided between two homonymous artists. A signed relief base in Athens (NM) is dated to c. 350 BC. Also assigned to the same period is the collaboration of B. on the Mausoleum of  Halicarnassus (351 BC: death of Mausolus); however, there are also valid arguments for dating this after 333 BC. The allocation of sculpture fragments -- none of which were found in situ (today London, BM) -- to the north side…

Butades

(51 words)

Author(s): Neudecker, Richard (Rome)
[German version] Legendary sculptor of kouroi from Sicyon who in ancient sources is credited with the invention of figurative antefixes (7th cent. BC) and of portraiture. Until 146 BC, one of his works, probably a mask, was displayed in Corinth. Neudecker, Richard (Rome) Bibliography Fuchs/Floren, 196. 211 Overbeck, no. 259. 260 (sources).

Laocoon group

(858 words)

Author(s): Neudecker, Richard (Rome)
[German version] A group of marble statues, found in 1506 in the area of the Baths of Trajan in Rome, highly regarded, widely received and academically controversial since its discovery (Rom, VM). It shows Laocoon and his two sons, entangled in sea snakes and nearing death. Its identity with a marble group praised by Pliny (HN 36,37: omnibus et picturae et statuariae artis praeferendum) of the artists Agesander, Athanodorus and Polydorus from Rhodes in the house of Titus, was recognized immediately. The first phase of reception stands under the influence o…

Branchidae

(81 words)

Author(s): Neudecker, Richard (Rome)
[German version] Term used, since their discovery in 1765, for statues from the oracle sanctuary of Apollo Branchos in  Didyma. The 15 extant statues of seated males date from 590-540 BC, record the names of their sculptors and were placed on the sacred road linking  Miletus to the sanctuary. They are significant examples of Ionian sculpture style and of the oriental influence on Greek iconography. Neudecker, Richard (Rome) Bibliography Fuchs/Floren, 374-375 K. Tuchelt, Die archa. Skulpturen von Didyma, IstForsch 27, 1970.

Agesander

(34 words)

Author(s): Neudecker, Richard (Rome)
[German version] (Ἀγήσανδρος; Agésandros) (Hagesandrus), son of Paeonius, sculptor from Rhodes. Together with  Athanadorus and Polydorus, he produced famous groups of Hellenistic sculptures in Rome. Neudecker, Richard (Rome) Bibliography B. Andreae, Praetorium Speluncae, 1994.

Phidias

(1,377 words)

Author(s): Neudecker, Richard (Rome)
(Φειδίας/ Pheidías, Latin Phidias). [German version] I. General remarks Son of Charmides, Athenian sculptor. In Antiquity,  Hegias [1] was named as P.' teacher, others suggested Ageladas. P.' artistic efforts were seen as closely associated with the Athenian statesman Pericles [1] and lasted from about 460 to 430 BC; main period of productivity: 448-445 BC. Ancient reports of P.' life and work are rife with scandal (sources in [1]). Between 438/7 and 433/2 BC, P.' connections with Pericles resulted in ch…

Damocritus

(82 words)

Author(s): Neudecker, Richard (Rome)
[German version] (Δαμόκριτος/ Damókritos; also: Democritus [Δημόκριτος/ Dēmókritos]). Sculptor from Sicyon, active during the first half of the 4th cent. BC. Pausanias saw a victor's statue of his in Olympia. Pliny chose the Attic form of the name, for a Democritus, who made statues of philosophers. In Rome his name was found on the statue of Lysis from Miletus in a lost collection of copies of 4th cent. works. Neudecker, Richard (Rome) Bibliography Overbeck, no. 463, 466-468 (sources) Loewy, no. 484 Lippold, 247-248.

Menophantus

(80 words)

Author(s): Neudecker, Richard (Rome)
[German version] Greek sculptor. A statue of Aphrodite (Rome, MN) bears his signature, with the additional note that the model is in the Troad. The work, which is a variation on the type of the Capitoline Venus, dates from the 1st cent. BC. Neudecker, Richard (Rome) Bibliography G. Cressedi, s.v. Menephanto, EAA 4, 1961, 1026 Loewy, Nr. 377 B. S. Ridgway, Hellenistic Sculpture, 1, 1990, 356 O. Vasori, Museo nazionale romano. Le sculture, 1, 1, 1979, 109-111, Nr. 81.

Zenas

(74 words)

Author(s): Neudecker, Richard (Rome)
[German version] (Ζηνᾶς/ Zēnâs). Sculptor's name on two Roman portrait busts from the early 2nd cent. AD. The addition to the signature of the father's name Alexander (IG XIV 1241) in the one case and of β in the other (IG XIV 1242) suggests two different sculptors. The name points to a connection with sculptors from Aphrodisias (Aphrodisias [1], sculptors' school). Neudecker, Richard (Rome) Bibliography Loewy, Nr. 383 a-b P. Moreno, s. v. Z., EAA 7, 1247 f.

Boedas

(79 words)

Author(s): Neudecker, Richard (Rome)
[German version] (also Boidas). Sculptor, son and pupil of  Lysippus. He worked in Byzantium around 300 BC. Pliny was aware of his fame but mentioned only the statue in Rome of a worshipper. For a long time the statue of the so-called ‘Praying boy’ from Rhodes in Berlin (PM) was erroneously identified with it. Neudecker, Richard (Rome) Bibliography R. Kabus-Preisshofen, Der ‘Betende Knabe’ in Berlin, in: AA 1988, 679-699 Overbeck, no.1516. 1521 (sources) B. S. Ridgway, Hellenistic Sculpture, 1, 1990, 227-228.

Statue

(1,377 words)

Author(s): Neudecker, Richard (Rome)
[German version] I. Term and general Derived from the Latin statuere ('to set up'), in sculpture, 'statue' denotes a completely three-dimensionally designed figure. This form of stand-alone depiction of people, animals and the more than human is at the centre of Greek artistry. In archaeological usage, statues which are integrated into architecture are also included in the term (pediment, akroterion ), but reliefs are not. Individual statues can be combined in a group in content and execution. The format of the statue ranges from sm…

Dameas

(135 words)

Author(s): Neudecker, Richard (Rome)
[German version] [1] (also: Demeas) Sculptor from Croton (also: Demeas). Sculptor from Croton. In 532 BC he created the victor's statue of Milon in Olympia that is described by Pausanias; there is a base with fragmentary inscriptions that is seen as going together with it. Neudecker, Richard (Rome) Bibliography Fuchs/Floren, 428 Loewy, no. 414 Overbeck, no. 484 (sources). [German version] [2] Bronze sculptor from Cleitor, c. 405 BC Bronze sculptor from Cleitor, student of Polycletus. In Delphi he created, for the victory statue of the Spartans who went to Aigosp…

Bupalus

(166 words)

Author(s): Neudecker, Richard (Rome)
[German version] Sculptor and architect from Chios, son of  Archermus. The anecdote about a pejorative portrait by the poet  Hipponax dates him around 550-525 BC. With his brother Athenis he created statues of  Artemis in Iasos, Delos and Athens and an Artemis mask with ‘changing facial expression’ in Chios. From the Charites, which were erected later in Pergamum under King Attalus, the base signature has possibly been preserved. The Tyche in Smyrna was apparently first represented by B. with a cr…

Alypus

(95 words)

Author(s): Neudecker, Richard (Rome)
[German version] Bronze sculptor from Sicyon, pupil of  Naucydes. By collaboration on the Delphic monument of the Spartans after Aegospotami (‘Lysander-anathema’, 405 BC,  Delphi), he is categorized under the so-called Polyclitus succession. Signature and base with traces of its support are preserved. Identifications of the four victors' statues by A., as seen by Pausanias in Olympia, are hypothetical. Neudecker, Richard (Rome) Bibliography D. Arnold, Die Polykletnachfolge, JDAI supplement 25, 1969, 84-85, 187-188 J. Marcadé, Recueil des signatures de sculpteurs gr…

Dontas

(78 words)

Author(s): Neudecker, Richard (Rome)
[German version] Sculptor from Sparta, active as an alleged student of  Dipoenus and Scyllis about the middle of the 6th cent. BC. The treasury of the Megarians at Olympia contained a wooden relief set in gold by him depicting Hercules and figures of the gods. According to Pausanias it was clearly older than the late 6th cent. building. The treasury's sculpture therefore cannot be attributed to D. Neudecker, Richard (Rome) Bibliography Fuchs/Floren, 215 Overbeck, no. 330-331 (sources).

Tectaeus

(134 words)

Author(s): Neudecker, Richard (Rome)
[German version] (Τεκταῖος; Tektaîos). Greek sculptor of the mid-6th century BC. Like his brother Angelion, T. is supposed to have been a pupil of Dipoenus and Scyllis and teacher of Calon [1] (Paus. 2,32,5). He and Angelion created a cult statue of Apollo on Delos; on the basis of  literary (Plut. Mor. 1136a; Paus. 9,35,3) and pictorial evidence of seals and reliefs Apollo was represented as a kouros with Charites on one hand and a Sphinx. A later account (Athenagoras, Legatio pro Christianis 17,4 Schoedel) of an Artemis by T. in Delos is of doubtful veracity. Neudecker, Richard (Rome) Bibl…

Cypselus chest

(251 words)

Author(s): Neudecker, Richard (Rome)
[German version] Container ( kypsélē, kibōtós, lárnax) made from cedar wood decorated with ivory and gold plaques and carvings, described by Pausanias (5,17,5-19,10) as a votive gift from  Cypselus [2] or the  Cypselides in the temple of Hera in Olympia. Legend declared the chest to be the vessel in which Cypselus [2] was saved from the Bacchiadae as a child, or rather as its replica. It was probably manufactured in the mid 6th cent. BC. Because of the description provided by Pausanias, the Cypselus chest is an important source for the exploration of archaic imagery. A…

Eucheir

(88 words)

Author(s): Neudecker, Richard (Rome)
[German version] (called E. II). A sculptor in Athens, the son of  Eubulides [4], called Eubulides II. Together with his son  Eubulides [5], also called Eubulides III, he signed honorary statues and votives in Attica, Euboea and Megara during the 1st half of the 2nd cent. BC. His Hermes in Phenea, which Pausanias described, is perhaps depicted on coins. Neudecker, Richard (Rome) Bibliography G. Becatti, Attika, in: RIA 7, 1940, 14-17 H. Brunn, Gesch. der griech. Künstler, 1, 1857, 551-552 Loewy, 134, 135, 222-227 P. Moreno, Scultura ellenistica, 1994521, 554

Akrolithon

(149 words)

Author(s): Neudecker, Richard (Rome)
[German version] Archaeological term for statues where the exposed body parts are made of marble and the robes of metal, both attached to a wooden core. The term first occurs in temple inventories in the 2nd cent. BC, later in Vitruvius for colossal statues. The technique can be traced back to the earliest cult idols with clothing and, since the classical period, is often used for cult statues. Numerous descriptions of akrolitha are contrasted by just a small number of preserved fragments, such as…

Eutychides

(185 words)

Author(s): Neudecker, Richard (Rome)
[German version] (Εὐτυχίδης; Eutychídēs) Sculptor and painter from Sicyon, pupil and son of  Lysippus. His acme was dated to 296-293 BC. His fame is based on the bronze statue ─ known in many replicas and copies ─ of Tyche of Antioch on the Orontes, which he created not long after the city's refoundation in 300 BC. It is one of the keystones for the chronology of Hellenistic sculpture, and was trendsetting in its composition in the round and its iconography of personifications of cities. E.'s work …

Phradmon

(187 words)

Author(s): Neudecker, Richard (Rome)
[German version] (Φράδμων; Phrádmōn). Bronze sculptor from Argos. Plinius (HN 34,49) gives 420-417 BC as his prime. P. is known primarily for his participation in the competition over the statues of Amazons in Ephesus, among the copies of which the 'Doria Panfili' type (Rome, Galleria Doria Panfili) are attributed without adequate reason to him. Victors' statues by P. were to be seen in Olympia (according to Pausanias 6,8,1), and in Delphi (according to a restored inscription). An inscription in Os…

Marble sculptures

(417 words)

Author(s): Neudecker, Richard (Rome)
[German version] Crystalline limestone marble was the preferred stone material in Graeco-Roman sculpture. Marble was partially painted or gilded, otherwise impregnated with a coating of wax and oil ( gánōsis). Coloured marble was used to match the colour of clothing and hair; painted effects were achieved by adding metals to jewellery, weapons, hairpieces and eyes. The term akrolithon is used for elaborate mixed techniques. Stucco was often added to economize with material or time. The proportions of the blocks often called…

Portraits

(1,884 words)

Author(s): Neudecker, Richard (Rome)
[German version] I. General remarks By the modern definition, a portrait is a rendering of an individual person's appearance. Typological and physiognomic characterizations serve this end. However, portraits recognizable as portraits only through their intention or by furnishing a name lack such characteristics. A typological portrait uses canonical features to indicate that its subject belongs to a certain group. A physiognomic portrait guarantees the identification of its subject by reproducing phy…

Chaerestratus

(105 words)

Author(s): Neudecker, Richard (Rome)
[German version] Son of Chaeredemus; Attic sculptor from  Rhamnus. On a prosopographical basis, his creative period has been deduced to have been in the early 3rd cent. BC, but by some to c. 320 BC. This is significant for the chronology of early Hellenistic developments in style, as the statue of Themis in the sanctuary of Nemesis at Rhamnus (Athens, AM) is signed by C. Further works are attributed to him by way of style. Neudecker, Richard (Rome) Bibliography J. Marcadé, Recueil des signatures des sculpteurs grecs, 1, 1953, no. 11-12 P. Moreno, Scultura ellenistica, 1994, 168-172 fig. B.…

Cippus

(273 words)

Author(s): Neudecker, Richard (Rome)
[German version] As a stone monument with or without inscription, the cippus was used in particular for territorial delineation. Made as a free-standing sculpture, it marked burial sites and was linked as reference to the dead to magical ideas and should not be confused with steles. The basic form was phallic, 30-50 cm high and it was represented in diverse ways especially in Etruria ( Etruscan Archaeology). Mostly onions, spheres or eggs top a pillar or cylinder. Special regional types in the 6th…

Corinthian alloy

(247 words)

Author(s): Neudecker, Richard (Rome)
[German version] Corinthium aes, according to Plin. HN 34,6-8 an alloy of  copper,  gold and  silver, with an artificial patination that made it gleam like gold. Attempts to identify Corinthian alloy (CA) with so-called ‘black gold’ and ‘niello’ are not convincing, as only a lesser sort of CA was dark in colour. The term CA was always associated with legendary invention, names of old masters, and dubious authenticity. Juridical sources (Dig. 32,100,3), however, distinguish CA from plain bronze, ref…

Appliqués (pottery)

(158 words)

Author(s): Neudecker, Richard (Rome)
[German version] Term for attached decorative items representing figures or plants. On bronze vessels of the 7th cent. BC, they are attached as protome (e.g. griffin cauldron). In Hellenistic and imperial times, crustae on tableware are highly valued masterpieces of  toreutics, and also on clothing, luxurious armour such as gladiators' helmets, on horse harness and carriage components. On kline rests ( fulcra), bronze animal protomes can be found, appliqués of ivory on furniture. Wooden sarcophagi in Taranto and south Russia of the 4th cent. BC had relief…

Hermathena, Hermeracles

(98 words)

Author(s): Neudecker, Richard (Rome)
[German version] Cicero called the  Herms of Athena and Hercules, which Atticus had obtained in 67-65 BC for Cicero's Tusculanum (Cic. Att. 1,1; 4; 8; 9; 10), Hermathena and Hermeracles. The bronze heads were set on marble pillars and were considered an appropriate ornamentum for his peristyle, which was compared to the Academia and a gymnasium. These terms are Cicero's creation. Setting up Herms of this type in the gardens of Roman villas became a common practice. Neudecker, Richard (Rome) Bibliography R. Neudecker, Die Skulpturenausstattung röm. Villen in Italien, 1988, 11-18 H. Wr…

Styppax

(83 words)

Author(s): Neudecker, Richard (Rome)
[German version] Bronze sculptor from Cyprus in the 5th century BC. He was famous for his statue of a splanchnoptes (Plin. HN 34,19,81), a slave who blows on the fire to roast the entrails at a sacrifice. It was erected on the orders of Pericles [1] as a votive offering after his slave was injured during the building of a temple and miraculously healed. The work does not survive. Neudecker, Richard (Rome) Bibliography Overbeck, Nr. 868-869  P. Moreno, s. v. S., EAA 7, 1966, 535-536.

Agoracritus

(246 words)

Author(s): Neudecker, Richard (Rome)
[German version] (Ἀγοράκριτος; Agorákritos). Sculptor from Paros, master of the high-classical period in Athens. Uncertain attributions to A., his rival  Alcamenes and their teacher  Phidias are reflected in anecdotes of ancient literature, which makes attributing the œuvre difficult. When it came second in a contest with Alcamenes, A. is said to have sold a statue of Aphrodite to a buyer in Rhamnus as one of Nemesis, or that Phidias had one of his own statues signed by A. The signature was discove…

Tabula Iliaca

(155 words)

Author(s): Neudecker, Richard (Rome)
[German version] Archeological technical term for marble plates with illustrations of the Homeric epics (Homerus [1]). The small plates with a height of up to 25 cm are covered on both sides with low reliefs in miniature with accompanying texts. Most of the 22 extant plates refer to the Iliad, one to the Odyssey. The most complete plate, the so-called Tabula Capitolina (Rome, KM), contains parts of the Aethiopís as well. The plates are dated to the early Imperial Period and were all found in Rome. Some are attested to have been produced by T…

Phyromachus

(686 words)

Author(s): Neudecker, Richard (Rome)
[German version] (Φυρόμαχος/ Phyrómachos). Sculptor of Athens, teacher of the painters Heraclides [30] (active 168 BC) and Milon. The written and archaeological traditions, which are controversial, reveal at least the existence of a famed artist who was active under the Attalid kings (Attalus) of Pergamum. The Laterculi Alexandrini (late 2nd cent. BC) place him in a list of artists, and Pliny (HN 34,84) has the same in mind when documenting the sculptors who worked for Attalus and Eumenes. As Pliny only makes a generalized reference to the monumenta Attalidum, it cannot be demonstr…

Apellas

(117 words)

Author(s): Neudecker, Richard (Rome)
(Ἀπελᾶς; Apellâs). [German version] [1] Bronze sculptor, 4th cent. BC (Apelleas). Bronze sculptor, son of the sculptor Callicles from Megara. He created the victory monument described by Pausanias for Cynisca, sister of Agesilaus of Sparta, who participated in the Olympic chariot races in 396 and 392 BC. Parts of the base with the epigram handed down in general tradition was discovered; apart from this, the base of a reduced replica of the commemorative statue was also found. Neudecker, Richard (Rome) Bibliography W. Dittenberger, Die Inschr. von Olympia, 1896, no. 160, 634 F. Eckste…

Phyles

(65 words)

Author(s): Neudecker, Richard (Rome)
[German version] (Φυλῆς; Phylês). Son of one Polygnotus, bronze sculptor from Halicarnassus. 23 bases of lost portrait statues with the signature of P. survive in Delos, Rhodes and Lindos; according to them he was active between 258 and 213 BC. Neudecker, Richard (Rome) Bibliography Lippold, 343  J. Marcadé, Recueil des signatures de sculpteurs grecs, vol. 2, 1957, 89-100  EAA 6, s.v. P., 1965, 142-143.

Argeadas

(50 words)

Author(s): Neudecker, Richard (Rome)
[German version] Bronze sculptor from Argus. In Olympia, he was a collaborator on the substantial votive offering by one Praxiteles, dated between 484 and 461 BC. Neudecker, Richard (Rome) Bibliography W. Dittenberger, Die Inschr. von Olympia, 1896, no. 266, 630, 631 F. Eckstein, Ἀναθήματα, 1969, 61-64 Loewy, no. 30 p. XVIII.

Sculptor

(546 words)

Author(s): Neudecker, Richard (Rome)
[German version] In Graeco-Roman culture sculptors were less artists than technicians, as were, in the early period at least, architects and inventors. The ancient terms for them relate to the materials they use, e.g. lithourgós/ sculptor (for stone), chalkourgós/ aerarius (bronze), plástēs or koropláthos/ fictor (clay), ceroplastes (wax), and the social esteem of the product, e.g. lapidarius (stonecutter), agalmatopoiós and andriantopoiós (artist of pictures of people and gods) and toreutḗs (maker of small bronzes). Signatures occasionally give information about…

Cresilas

(294 words)

Author(s): Neudecker, Richard (Rome)
[German version] Bronze sculptor of Cydonia. According to the evidence of inscriptions on existing socles, C. worked c. 450-420 BC in Delphi, Hermione and Athens. He created the most famous portrait of  Pericles in antiquity, ‘worthy of the epithet Olympian’ (Plin. HN 34,74). It was regarded as identical with the portrait statue of Pericles seen by Pausanias on the acropolis and which is clearly identified in copies. A statue by C. depicting a mortally wounded figure ( volneratum deficientem) was described by Pliny and is usually equated with the bronze statue depicting D…

Hectoridas

(113 words)

Author(s): Neudecker, Richard (Rome)
[German version] Sculptor, listed in the accounts for the sculptures of a gable of the temple of Asclepius at  Epidaurus, which was finished around 370 BC. Therefore, the fragments of an original Iliupersis are to be ascribed to him and must be considered as an independent work and not - as often presumed - as copies in the fashion of models of  Timotheus. In addition, H. provided models for the painting of lionhead gargoyles. His signature is also to be found on the base of a lost statue in Epidaurus. Neudecker, Richard (Rome) Bibliography A. Burford, The Greek temple builders at Epidau…

Clipeus

(258 words)

Author(s): Neudecker, Richard (Rome)
[German version] [1] Bust on a round shield ( clipeata imago). The bust on a round shield, in antiquity usually designated as clipeus et imago or εἰκὼν ἐν ὅπλῳ, is to be distinguished from relief medallions in the art of miniatures. Clipei painted on terracotta come from tombs (Centuripe); the earliest marble clipei attached to buildings come from Delos (Mithridates monument, c. 100 BC). The clipeus became widespread from the 1st cent. BC in Rome. Written sources on their invention suggest an origin in ancestor worship and military honours, though reports on Punic clipei of Hasdrubal ar…

Praxias

(141 words)

Author(s): Neudecker, Richard (Rome)
[German version] (Πραξίας/ Praxías). Son of Lysimachus, sculptor from Athens, pupil of Calamis. His pediment groups on the Temple of Apollo at Delphi, which are described by Pausanias (10,19,4), survive. They were completed by Androsthenes from 335-327 BC, after P.'s death. Signatures of P. from the period 368-338 BC survive from Oropus and Athens; others in Delos and Thasos are from his son of the same name. Neudecker, Richard (Rome) Bibliography Overbeck, Nr. 857, 860  Lippold, 193, 243  J. Marcadé, Recueil des signatures de sculpteurs grecs, vol. 2, 1957, 109-113  EAA 6, s. v. P. …

Gitiades

(186 words)

Author(s): Neudecker, Richard (Rome)
[German version] Bronze sculptor from Sparta, where he created the temple and cult image of Athena Polioúchos kaì Chalkíoikos as well as extensive mythological scenes in bronze reliefs (Paus. 3,17,2). The latter were presumably displayed on the walls of the temple, and according to later coin reproductions, the gown of the Athena statue was also provided with reliefs. G. had also written a hymn to Athena. Also on view in Amyclae were two bronze tripods by him with Aphrodite and Artemis as supporting figures that …

Reproduction techniques

(677 words)

Author(s): Neudecker, Richard (Rome)
[German version] were used in antiquity from the Geometric Period on for the serial production of art. It exists when a model created specifically for the purpose is used to manufacture a not always specified number of repetitions. The intention may be economic, aesthetic (if identical products are desired) or, in the particular case of coins, dictated by the very purpose of the objects. It is crucial to distinguish this from the subsequent repetition of an original which is itself of value, as se…

Tisicrates

(155 words)

Author(s): Neudecker, Richard (Rome)
[German version] (Τεισικράτης; Teisikrátēs). Bronze sculptor from Sicyon in the early 3rd cent. BC. There is literary evidence of portrait statues of Demetrius [2] Poliorcetes, Peucestas [2] and an otherwise unknown Senex Thebanus ('elderly Theban man') and inscriptional evidence of others in Thebes, Eretria [1] and Oropus as well as a mythological group. T. and Piston created a chariot and pair (Plin. HN 34,89). None of his works survives; attempts to identify his Demetrius in copies are questionable. T.'s teacher was Euthycr…
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