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Calenian Pottery

(144 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Generic term for lower Italian black-glazed pottery ( Relief ware), evident from the second half of the 4th cent. to the 2nd cent. BC. The term Calenian Pottery (CP) (askoi, bowls, omphalos phialae, gutti) is commonly used for this group of vessels, yet they were undoubtedly also produced in other regions (Paestum, Sicily, Tarentum). Particularly well-known are bowls with medallions, worked in a medium relief (‘Arethusa bowls’); their origin from Cales (Calenus) or rather Campania…

Nestoris

(182 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] A type of ‘Italian’ vase, also called trozella, which was adopted by Lucanian vase painting in the 5th cent. and by Apulian vase painting only around the middle of the 4th cent. BC. The nestoris appears to have been taken on from Messapian vase art. It is known in various forms; typical is its ovoid body with side handles and strap handles (which rise up from the shoulder of the vessel and connect to its lip) which are often decorated with discs (rotellae) [1. 11 fig. 3]. In vase …

Pilleus

(212 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (also pileus). Close-fitting half-spherical or ball-shaped head covering made of fur, felt, leather or wool; adopted by the Romans from the Etruscans (cf. Liv. 34,7). In Rome the pilleus was the mark of a free citizen and was given a slave (Petron. Sat. 41), prisoner of war, or gladiator (Tert. De spectaculis 21) upon manumission. Thus the pilleus libertatis, together with the vindicta , is the attribute of Libertas, who holds them in her hands on Roman coins. P illeus can be used synonymously as an expression for freedom (Mart. 2,68; Suet. Nero 57, cf. Plau…

Furniture

(1,500 words)

Author(s): Cholidis, Nadja (Berlin) | Veigel, Isabell (Berlin) | Hurschmann, Rolf (Hamburg)
[German version] I. Ancient Orient Furniture can be documented for the Ancient Orient since the 6th millennium BC, in the form of a sculpture of a feminine figure from Çatal Hüyük that is enthroned on a chair flanked by felines. More substantial statements, however, are not possible until the 3rd millennium BC, as written sources are added. Of the furniture made mostly of wood, reed, woven textiles or leather, scarcely anything is preserved due to the aggressive climate in the Near East. Valuable ind…

Chiton

(507 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (χιτών; chitón). Greek undergarment, originally of linen, then wool; probably of Semitic origin ( Clothing). Frequent occurrences in Homer (e.g. Il. 2,42; 262; 416; 3,359; Od. 14,72; 19,242), show that the chiton was already a part of Greek costume in early times, and a favoured garment for men. The chiton came into fashion for women during the 1st half of the 6th cent. BC, and later replaced the  peplos (vase paintings, sculptures). The chiton consists of two rectangular lengths of material ( ptéryges, wings), 150-180 cm wide and of varying length, sewn toget…

Recta

(107 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] The first time the Roman boy donned the toga virilis, he wore the ( tunica) recta as an undergarment; for the sons of equestrians and senators, it was furnished with the insignia of rank ( latus clavus). The long, white tunica with tight upper sleeves which the Roman bride donned on the eve of her wedding, which she slept in and wore on her wedding day was called recta or regilla (Plin. HN 8,194). Clothing; Toga Hurschmann, Rolf (Hamburg) Bibliography Blümner, PrAlt., 336, 350 f.  C. M. Wilson, The Clothing of the Ancient Romans, 1938, 138-145  D. Balsdon, Die Frau in der röm…

Facial expression

(469 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] FE means the expressive motions of the entire face (moods) or parts of it that spontaneously indicate a momentary human mood or are deliberately assumed with the intention of making a particular expression. FE's are often situation-related and supplemented by  gestures ( Gestus) or even only become comprehensible through the latter. On the stage individual characters were shown with differing FE's ( Masks,  Mimos). FE's were also a means of providing a person (e.g. a philosopher, …

Palimpsest

(350 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (παλίμψηστος/ palímpsēstos [βίβλος/ bíblos or χάρτης/ chártēs], lat. codex rescriptus). A 're-scraped' book, papyrus or parchment leaf, prepared for renewed writing after its first text was scraped off. The first text was either wiped off with a sponge or scraped away with pumice stone. This method was already used in Egypt (e.g. PBerlin 3024, 12th dynasty, from c. 2000 BC), and was also standard practice in later periods, out of thrift (Cic. Fam. 7,18,2) or lack of virgin papyrus or parchment (cf. Catull. 22,5). Plutarch (Mor. 779c, 50…

Ofellius

(378 words)

Author(s): Elvers, Karl-Ludwig (Bochum) | Fündling, Jörg (Bonn) | Eck, Werner (Cologne) | Hurschmann, Rolf (Hamburg)
Roman family name (also Offellius, Offillius etc.), probably from the Oscan praenomen Of(f)ellus, which also appears as a cognomen (a landowner in Venusia: Hor. Sat. 2,2,2f.; 53f.; 112ff.). Elvers, Karl-Ludwig (Bochum) [German version] [1] O. Tribunus militum, 36 BC Tribunus militum in 36 BC, mocked rewards handed out by Octavian (Augustus) as paltry, whereupon according to Appian he vanished without trace (App. B Civ. 5,532f.). Fündling, Jörg (Bonn) [German version] [2] O., A. Roman jurist Jurist, see Ofilius Eck, Werner (Cologne) [German version] [2a] O. Ferus, C. Campanian …

Antyx

(109 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (ἀντυξ; ántyx) Raised metal rim of the Greek shield (Hom. Il. 6,118; 15,645; 18,479 and passim); also refers to a hoop-like railing or ledge of the Greek racing and war chariot (archaic vase paintings [1.524 fig. 44]), which could be used to hold on to when stepping in or out (Hom. Il. 5,728 f.; 16,406). Evidently made of wood (Hom. Il. 21,38). When the chariot was not in motion, one could wrap the reins around the antyx (Hom. Il. 5,262). Hurschmann, Rolf (Hamburg) Bibliography 1 C. Weiss, M. Boss, Original und Restaurierung, in: AA 1992, 522-528. J. Wiesner, Fahren und Reit…

Mattress

(116 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (τύλη/ týlē; Latin culcita, torus). Mattresses were laid on the Greek and Roman kline (lying on the supporting straps of the kline, Petron. Sat. 97,4) or were spread out directly on the floor (Ath. 15,675a; Alci. 4,13,14; χαμεύνη/ chameúnē: Theoc. 7,133; 13, 33). Mattresses were filled with wool, straw, reeds, sea grass, hay, hair, feathers; the feathers of Germanic geese being especially valued (Plin. HN 10,54, compare Ov. Met. 8,655 on rushes). There also was the κνέφαλλον/ knéphallon (Poll. 10,42) and the τυλεῖον/ tyleíon, the fine underbed made of wool cut a…

Crepundia

(88 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] A piece of jewellery or a toy, usually metal, for small children in Rome. Besides the bulla ( Ages), children wore several such miniatures as an  amulet, strung on a chain and worn around the neck or over the shoulder. The crepundia were also used to identify abandoned children and were kept in a cistella (little chest) together with other children's items (Plaut. Cist. 634ff., Plaut. Rud. 1151ff.).  Amulet;  Jewellery Hurschmann, Rolf (Hamburg) Bibliography E. Schmidt, Spielzeug und Spiele im klass. Altertum, 1971, 18-21 incl. fig. 1.

Greeting

(1,186 words)

Author(s): Hurschmann, Rolf (Hamburg)
I. Gestures of greeting [German version] A. Handshake According to Greek and Roman custom, one would shake the right hand of guests, family members, close acquaintances or friends and squeeze it firmly (Hom. Il. 10,542 et passim; Xen. Cyr. 3,2,14; Aristoph. Nub. 81; Plut. Cicero 879; Plut. Antonius 952; Plut. De amicorum multitudine 94b), both as a greeting (according to Plut. Caesar 708 more a form of affability) and to say good-bye. Shaking hands was seen as a sign of friendship and trust (Xen. Cyr. 3…

Canistrum

(110 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (Greek κανοῦν; kanoûn). Flat wicker basket; it served as a fruit basket (Ov. Met. 8,675) and was used in agriculture (Verg. G. 4,280). Canistra of sturdy materials (clay, silver, gold) were used as receptacles for liquid substances, e.g. honey and oil. The canistrum was also a device for sacrifices (Tib. 1,10,27; Ov. Met. 2,713 and more); often represented in Roman art in this role, the canistrum contained incense, fruits and offering-cakes. The silver saucers for drinking vessels were called canistra siccaria (Serv. Aen. 1,706).  Kanoun Hurschmann, Rolf (Hamburg) Bi…

Calceus

(275 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Roman shoe or half-boot made of leather that was probably adopted from the Etruscans and was part of the clothing ( vestis forensis) of the noble Roman citizen. If a member of the nobility dressed in other shoes in public, he would be criticized (Suet.Tib. 13; an exception was the dress for the banquet at which people wore the solla; Hor. Sat. 2,8,77; Mart. 3,50,3; Suet. Vit. 2). In Roman literature and art the calceus was represented in many ways; three variants can be distinguished that at the same time served to differentiate between social ranks. Th…

Geneleus

(237 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Sculptor of the archaic period, famous for the family group with his signature in the Heraion on  Samos (560-550 BC). The group consists of the reclining figure of the founder ...ιλάρχος, three standing girls (unknown name, Philippe, Ornithe), the fragments of a young man, and the enthroned mother Phileia; apart from Ornithe (Berlin, SM, Inv. 1739), all the figures are on Samos (Vathy, Mus. Inv. 768). G. proves himself a master of Ionian sculpture because of the minute detail to w…

Canosa Vases

(129 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Type of  Apulian vases, between c. 350 and 300 BC, probably made exclusively for use in graves. Their distinguishing feature is their decoration in a variety of water-soluble pigments (blue, red/pink, yellow, pale purple, brown) on a white background. Preferred  vessel forms are the volute-krater, cantharus, oinochoe, and askos, whose main bodies were frequently decorated with figures of women on small pedestals and with three-dimensional decor (winged heads, gorgoneia et al.). The gre…

Paestan ware

(394 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] PW first developed in around 360 BC when immigrant artists from Sicily founded a new workshop in the southern Italian city of Paestum (Poseidonia), the leading masters of which were the vase painters Asteas and Python. Both are the only vase painters in southern Italy whose signatures are known on vases. The Paestan vase painters favoured bell craters, neck amphorae, hydrias, lebetes gamikoi (nuptial cauldrons depicting mostly wedding but also funeral scenes), lekanides (cosmetic/trinket containers), lekythoi (one-handled flasks for perfumed oil) and jug…

Sakkos

(144 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (σάκκος/ sákkos). Closed bonnet, esp. popular as a headdress of Greek women in the 5th and 4th cents. BC. The evidence from Attic vase paintings and tomb reliefs shows the sákkos worn mainly by female servants, whereas in southern Italian art it appears as the headdress of any woman. Sákkoi frequently had a loop on the calotte for hanging them up and often tassels hanging down. Some sákkoi were unadorned or decorated with simple lines, while others were richly decorated with ornaments of meanders, waves, scrolls and similar. The sákkos was not necessarily the only hea…

Tiara

(266 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (τιάρα/ tiára). Head covering of Near Eastern peoples (Armenians, Assyrians, Sagae, especially Persians; Hdt. 3,12; 7,61; 7,64 et passim), similar to a turban; also a tall tiara, decorated with stars and rising to a point, which among the Persians was fit only for the king, his relatives and holders of high office (Xen. An. 2,5,23; Xen. Cyr. 8,3,13). In Greek sources, the tiara is also called a kyrbasía or a kíd(t)aris (e.g. Aristoph. Av. 487). The tiara as a head covering for Middle Eastern aristocrats was also common in the Roman period (Suet. Ner…

Tribon

(99 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (τρίβων/ tríbōn, τριβώνιον/ tribṓnion). A coat ( himátion, cf. pallium ) of 'bristly' wollen material, worn by Cretans (Str. 10,4,20) and Spartans (Plut. Lycurgus 30; Plut. Agesilaus 30; Ael. VH 7,13); later also common in Athens (Thuc. 1,6,3). It was part of the clothing of simple people (Aristoph. Eccl. 850; Aristoph. Vesp. 1131), farmers (Aristoph. Ach. 184; 343) and lakōnizóntes ('imitators of Spartan customs', Dem. Or. 54,34). From the time of Socrates (Pl. Symp. 219b; Pl. Prt. 335d; Xen. Mem. 1,6,2) the tribon was also the typ…

Torques

(475 words)

Author(s): Hurschmann, Rolf (Hamburg) | Pingel, Volker (Bochum)
('torque'; Lat. also torquis; Gr. στρεπτόν/ streptón, 'twisted'). [German version] I. Classical Antiquity Helically twisted collar of bronze, gold or silver with open but almost touching ends, which were thickened or figure-shaped and could sometimes be turned outwards. Torques are known from the Bronze Age onwards and numerous examples survive. The Greeks learned of torques from the Medes and Persians, where they were worn by people of high status (Hdt. 8,113,1; 9,80,4; Xen. Cyr. 1,3,2-3; cf. Curt. 3,3,13),…

Tabula

(196 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] General Latin term for board (Plin. HN 31,128; 33,76; 36,114; Ov. Met. 11,428), then for 'game board' ( tabula lusoria, Games, Board games, Dice (game)), 'painted panel' ( tabula picta, Plin. HN 35,20-28), 'votive tablet' ( tabula votiva, Hor. Carm. 1,5,13; Pers. 6,33). In a special sense, tabula is the term for writing tablets, used for writing and calculating, of wood, whitewashed or with a layer of wax, or metal tablets (Writing materials, Codex ), as were already common among the Greeks. Tabulae were used in the public domain, e.g. as tablets of law ( Tabulae duodecim

Diphros

(118 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Four-legged stool, generally with turned legs. A seat for gods and heroes (west frieze of the Siphnian treasury in Delphi; east frieze of the  Parthenon), as well as for common people in scenes from everyday life (geometric amphora Athens, NM Inv. no. 804: workshop scenes). They were made of simple wood or valuable ebony, the inventory lists of the Parthenon even record silver-footed diphroi. A special form is the folding stool (διφρος ὀκλαδίας; díphros okladías), whose legs end in claw-shaped feet.  Furniture;  Sella curulis Hurschmann, Rolf (Hamburg) Bibliography G…

Darius Painter

(180 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Apulian vase painter working c. 340/320 BC, named after the main figure on the  Darius Crater. On the vessels he painted (including voluted craters, lutrophoroi, amphorae), some of which are monumental, he generally depicted scenes from classical tragedies (Euripides) and themes from Greek myth; some of these are only documented through his work. Other vases show scenes depicting weddings, women and Eros, as well as Dionysian motifs and rare sepulchral representations ( Naiskos vases). His tendency to name people and representations in inscriptions ( Persai, Pat…

Peniculus

(69 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (also penicillum). Duster, a stick with the hairy end of an animal's tail (Paul Fest. 208; 231 M.); used to wipe down tables (Plaut. Men. 77f.), polish shoes (Plaut. ibid. 391) or clean agricultural implements and vessels (Columella 12,18,5). The peniculus was also used as a brush to whitewash walls (Plin. HN 28,235) and as a paintbrush (Plin. HN 35,60f.; 103; 149). Hurschmann, Rolf (Hamburg)

Subligaculum

(95 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Men's item of clothing to cover the abdomen (Varro, Ling. 6,21; Non. 29,17). Originally, it was probably worn under the Roman toga (Non. 29,17; Isid. Orig. 19,22,5) and was later replaced by the tunica . The subligar, on the other hand, is a cloth worn for special occasions, such as by actors (Juv. 6,70) and by women in the bath (Mart. 3,87,3), or generally by labourers (Plin. HN 12,59). Perizoma Hurschmann, Rolf (Hamburg) Bibliography M. Pausch, Neues zur Bekleidung im Mosaik der 'Bikini-Mädchen' von Piazza Armerina in Sizilien, in: Nikephoros 9, 1996, 171-173.

Petasos

(207 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (πέτασος; pétasos). Greek hat made of felt with a wide brim, also referred to as a 'Thessalian hat' because of its origin (Soph. OC 313); it was worn by women and men who spent a lot of time outdoors (fishermen, herdsmen/women, hunters) or who were travelling; amongst the most best-known mythological petasos wearers were Hermes, Peleus, Perseus, Oedipus and Theseus. Additional wearers are - more rarely - chariot riders (Athen. 5,200f.), horsemen (e.g. on the Parthenon freeze) and the Attic ephebes ( ephēbeía ). The petasos was firmly retained by a strap that was p…

Helicon

(372 words)

Author(s): Freitag, Klaus (Münster) | Folkerts, Menso (Munich) | Hurschmann, Rolf (Hamburg)
(Ἑλικών; Helikṓn). [German version] [1] Mountain range in central Greece Mountain range in central Greece, dividing the Copais Basin and the upper Cephissos Valley from the Gulf of Corinth (cf. Str. 9,2,25; Paus. 9,28,1-31,7). The western part of the H. belonged to Phocis and the eastern part to Boeotia. The highest elevation is the peak of the Palaiovouno (1,748 m). Few passes lead over the H., which is rich in springs and forests and was famed for its herbs. The H. has large areas that were used in anti…

Mastruca

(66 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (also mastruga). Sardian word (Quint. Inst. 1,5) for a close-fitting garment made of (sheep)skin, sleeveless and reaching down to the upper thighs. The Romans considered those who wore it to be uncivilised (Cic. Scaur. 45d; Cic. Prov. cons. 15), thus Alaricus in: Prud. in Symm. 1,659f. In Plaut. Poen. 1310-1313 it is also used as a term of abuse. Hurschmann, Rolf (Hamburg)

Kiss

(4,070 words)

Author(s): Binder, Gerhard (Bochum) | Hurschmann, Rolf (Hamburg)
[German version] I. Typology To create a typology of the kiss in antiquity seems rather difficult, given its many specifications, of which the erotic kiss represents no more than a single facet. Existing approaches barely go beyond collections of material [1; 2; 3]. As far as tradition permits, two main categories can be distinguished: formal kisses (in politics; client relations; cult, religion) and private kisses (in family, kinship, friendship; love relations). Within these main categories and th…

Matta

(84 words)

Author(s): Hurschmann, Rolf (Hamburg)
[English version] (ψίαθος/ psíathos). Matte oder grobe Decke aus Binsen und Stroh, in Ägypten auch aus Papyrus (vgl. Theophr. h. plant. 4,8,4). Sie diente den Bauern, Reisenden und armen Leuten zum Lagern auf dem Boden; in einer att. Inschr. auch unter dem Hausmobilar aufgeführt [1]. Nach Augustinus (contra Faustum 5,5) ist jemand, der auf der M. schläft, ein Anhänger einer Lehre, die Bedürfnislosigkeit predigt ( mattarius). Die Schlafmatte konnte auch χαμεύνη/ chameúnē genannt werden (Poll. 6,11). Hurschmann, Rolf (Hamburg) Bibliography 1 Hesperia 5, 1936, 382 Nr. 6 A.

Pergament

(334 words)

Author(s): Hurschmann, Rolf (Hamburg)
[English version] Zu einem der Beschreibstoffe der Ant. zählte das gereinigte, enthaarte und gegerbte Leder (Hdt. 5,58,3). P. entstand durch eine verfeinerte Bearbeitung der Tierhaut (von Esel, Kalb, Schaf, Ziege), bei der auf die Gerbung verzichtet wurde; statt dessen legte man die Tierhaut einige Tage in eine Kalklösung, entfernte sodann Fleischreste, Haare und Oberhaut, und legte sie danach in ein Kalkbad zur Reinigung (Kalzinierung). Anschließend spannte man die Haut in einen Rahmen, trocknete…

Epiblema

(78 words)

Author(s): Hurschmann, Rolf (Hamburg)
[English version] (ἐπίβλημα). Griech. Begriff für Decke, Tuch, Mantel (Poll. 7,49f.). In der modernen arch. Terminologie bezeichnet E. das Schultertuch der dädalischen, bes. der kretischen Frauenstatuetten. In der Regel wird das E. auf der Brust, aber auch über dem Hals und dem Schlüsselbein befestigt; der obere Rand ist mitunter verziert. Auf Denkmälern des 7. Jh.v.Chr. findet sich das E. häufig dargestellt. Hurschmann, Rolf (Hamburg) Bibliography C. Davaras, Die Statue aus Astritsi, 8. Beih. AK, 1972, 26-27, 59-64.

Fer(i)culum

(131 words)

Author(s): Hurschmann, Rolf (Hamburg)
[English version] seltener feretrum (z.B. Ov. met. 3,508; 14,747). Damit werden Tragevorrichtungen unterschiedlicher Form bezeichnet, die zum Befördern von Sachgütern nötig waren, speziell aber solche Gerüste, auf denen bei Aufzügen (Triumph, Bestattung o.ä.) Gegenstände präsentiert wurden, z.B. Beutestücke, Gefangene, Götterbilder u.a. (Suet. Caes. 76); ferner diente das f. zum Transport des Verstorbenen oder der Dinge, die mit ihm bestattet oder verbrannt werden sollten (Stat. Theb. 6,126). F. nannte man auch (Hausrat) das Speisebrett, die flache Schüssel, m…

Petasos

(180 words)

Author(s): Hurschmann, Rolf (Hamburg)
[English version] (πέτασος). Griech. Hut aus Filz mit breiter Krempe, aufgrund seiner Herkunft auch als “thessalischer Hut” bezeichnet (Soph. Oid. K. 313); er wurde von Frauen und Männern getragen, die sich viel im Freien aufhielten (Fischer, Hirten, Jäger) oder auf Reisen waren; zu den bekanntesten myth. P.-Trägern zählen Hermes, Peleus, Perseus, Oidipus, Theseus. Weitere Träger sind - seltener - Wagenlenker (Athen. 5,200f.), Reiter (z.B. am Parthenonfries) und die att. Epheben ( ephēbeía ). Für einen sicheren Halt des p. sorgte ein Riemen, der unter das Kinn geführt wur…

Canosiner Vasen

(113 words)

Author(s): Hurschmann, Rolf (Hamburg)
[English version] Gattung der apulischen Vasen, zwischen ca. 350 und 300 v.Chr. wohl ausschließlich für den Grabgebrauch hergestellt. Als ihr besonderes Kennzeichen kann die in wasserlöslichen, verschiedenen Farben (blau, rot/rosa, gelb, hellviolett, braun) ausgeführte Bemalung auf weißem Grund gelten. Bevorzugte Gefäßformen sind Volutenkrater, Kantharos, Oinochoe und Askos, deren Gefäßkörper häufig mit auf kleinen Podesten stehenden Frauenfiguren und plastischem Dekor (geflügelte Köpfe, Gorgoneia…

Brattea

(258 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (πέταλον; pétalon). Ancient term uncommon in archaeological terminology; in Greek originally the ‘leaf or foliage of a tree’ (Hom. Il. 2,312; Od. 19,520), in Bacchyl. 5,186 the Olympian wreath of the wild olive, in the 2nd cent. BC at the latest considered to be the artificial metal leaves of a golden  wreath. In Roman sources brattea is used to describe a thin metal foil, mostly silver or gold for gilding objects, also veneers of precious wood (Plin. HN 16,232) or tortoiseshell (Mart. 9,59,9), but mostly gold leaf or gold foil is mea…

Household equipment

(1,622 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (Greek τὰ ἔπιπλα/ tà épipla, ἡ σκευή/ hē skeuḗ; Latin supellex, instrumentum). Household equipment (HE) comprises the objects that are needed in daily life and that constitute the majority of moveable belongings; this includes primarily  furniture, cooking utensils and kitchen crockery, lighting devices,  carpets,  blankets, and in a wider sense also  jewellery and  clothing, furthermore, according to current understanding, objects belonging to the sphere of immovables, e.g. the doors and ro…

Repositorium

(144 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Originally a Roman tray, then a stand or centrepiece used to arrange and serve food for a course (Petron. Sat. 33; 40; 49), introduced probably at the beginning of the 1st cent. BC as luxury tableware. The repositorium could have simple, round or rectangular form, but it could also have several levels and be of considerable height; it was also decorated with figures (Petron. Sat. 36), veneered with valuable woods and fitted with silver on the corners and edges (Plin. HN 33,146). Carrying away the repositorium while a guest was still drinking was considered a bad o…

Hirschfeld Painter

(229 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Attic vase painter of the geometric period (late geometric I b, after 750 BC;  Geometric vase painting), named after Gustav Hirschfeld (1847-1897), who first described the main work excavated in 1870, the so-called Hirschfeld Krater (Athens, NM Inv. no. 990) [1; 2]. The Hirschfeld Painter (HP) and his workshop worked in the tradition of the  Dipylon Painter and had a preference for monumental kraters of which the eponymous krater and a further one in New York (MMA Inv. no. 14.130.…

Diadema

(359 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (διάδημα; diádēma). The term was originally used to describe all bands worn round the head; different from  wreath. The diadema decorates, consecrates and raises its wearer above others; in this way diademata are symbols of dignity, particularly in cult; to this belong the ‘bust crowns’ or the ‘griffin diadema’ of the priests and deities; of a religious nature are also the ribbon-, gable- and rhomboid-shaped ‘ diademata of the dead’ that from the Mycenaean period onwards (shaft tomb IV, Mycenae) in many cases adorn the forehead of the deceased a…

Litter, Sedan chair

(529 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (φορεῖον/ phoreîon; Latin lectica, sella sc. gestatoria, portatoria). The litter as a means of conveyance has been known in the Orient since earliest times; in Greece it is first mentioned in the 4th cent. BC (Din. 1,36); in Hellenism it is a luxury item (Ath. 5,195c; 212c; Diod. Sic. 31,8,12). We cannot determine when the litter was introduced to the Roman empire but it was in general use from the 2nd cent. BC (cf. Liv. 43,7,5; Gell. NA 10,3,51); its excessive utilization in Rome already compelled Caesar to limit its use in the …

Peplos

(543 words)

Author(s): Hurschmann, Rolf (Hamburg) | Baumbach, Manuel (Zürich)
(πέπλος; péplos). [German version] [1] Blanket, cloth, or shroud Blanket, cloth, or shroud (Hom. Il. 24,796; Eur. Tro. 627, cf. Eur. Hec. 432); later, women's outer garment or coat (Hom. Il. 5,734; Hom. Od. 18,292, cf. Xen. Cyr. 5,1,6). In the myth, the Trojan women place a peplos on the knees of the cult image of seated Athena (Hom. Il. 6,303). Peplos is also the term used for esp. magnificent robes, above all for the dress of Hera of Olympia which was newly woven every four years by 16 women (Paus. 5,16) and for that of Athena Polias in Athens, which wa…

Festival dress

(444 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] It is safe to assume that the dress worn at private and public festivals differed in colour or adornment from everyday wear; women in  Sybaris, for example, who were to partake in one of the municipal festivities, received a year's notice in order to prepare their attire accordingly (Ath. 12,521c; Plut. Mor. 147e). A public appearance called for a clean attire (cf. Pl. Symp. 174a). On some festive occasions, a cloak was worn, referred to as ξυστίς ( xystís) (Aristoph. Lys. 1190, Nub. 70; Theoc. 2,74; Plut. Alcibiades 32,2). The ‘Phoenician’ red chitons, wor…

Tainia

(303 words)

Author(s): Hurschmann, Rolf (Hamburg) | Höcker, Christoph (Kissing)
(Greek ταινία/ tainía). Term for bindings of all kinds. [German version] [1] Headband for festivals (Head)band, worn at Greek festivals (Pl. Symp. 212d.e, 213d; Xen. Symp. 5,9). Even gods wore, or bound their heads with, tainiai. (Paus. 1,8,4). Furthermore, cult images (Paus. 8,31,8; 10,35,10), trees (Theocr. 18,44), monuments [3], urns, sacrificial animals and deceased (Lucian, Dial. mort. 13,4) had tainiai wound round them. The Romans adopted tainiai from the Greeks (e.g. Ov. Met. 8,724 f.). As a sign of a victor and of success (Paus. 4,16,6; 6,20,10; 9,22,3…

Cushion

(255 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (ἡ τύλη, τὸ κνέφαλλον, Lat. cervical, pulvinus). Cushions were used to assure comfort when sitting or lying on chairs, klines (Petron. Sat. 32), in litters (Juv. 6,353) or when lying directly on the ground. Floor cushions were also offered for comfort at the circus (Mart. 14,160). The materials used for cushions included linen, wool or leather, which were often beautifully decorated. Straw, hay, reeds, eelgrass or bulrushes (Ov. Met. 8,655) as well as flocks of wool were used as filling…

Follis

(686 words)

Author(s): Hurschmann, Rolf (Hamburg) | Klose, Dietrich (Munich)
[German version] [1] Bellows (φῦσα / phŷsa, bellows). The blacksmith's tool already mentioned in Homer (Il. 18, 372; 412; 468-70) is associated in Greek art in particular with  Hephaestus (Siphnian Treasury, Delphi), but rarely appears in depictions of workshops. There were two (Hdt. I 68) or more (Hom. Il. 18,468-470) folles in a workshop. In Roman art the follis is also depicted relatively rarely; on a blacksmith's gravestone in Aquileia (Mus. inv. no. 166) the worker at the follis holds a protective shield in front of himself; a fresco in the house of the Vettii in Po…

Tropa

(136 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (τρόπα; trópa). Greek children's games with astragaloi (Astragalos [2]), nuts, etc. (Poll. 9,103; schol.  Pl. Ly. 206e); in consisted in throwing one's own astragalos (or nut, etc.) in such a way that it moved one's opponent's astragalos from its position. In a variant of the game one had to try to drop an astragalos into a small pit in the ground. Tropa was probably also played by young Romans (Mart. 4,14,9). Connected with the game of tropa is Polyclitus' [1] group, known only from literature, known as the 'Boys Playing at Knucklebones' (Plin. HN 34,55)…

Campanian vases

(696 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] The Campanian vases (CV) of the 5th-4th cents. BC were made of a light brown clay and the surface often painted with a red-coloured coating. Artists generally preferred smaller vessels, besides these as the main shape, strap-handled amphora, also hydriae and bell craters; only seldom do pelike types appear ( Pottery, shapes and types of, vessel shapes with fig.). Characteristics attributed to  Apulian vase painting such as volute and column craters, loutrophoroi, rhyta or nestorid…
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