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Dipylon Painter

(303 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Attic vase painter of the geometric period (Late Geometric I, mid 8th cent. BC;  Geometric vase painting), named after the cemetery at the Dipylon Gate in Athens, where most of his works were found. The Dipylon Painter (DP) and the other painters of his workshop created about 20 monumental vases (kraters; amphorae), which were placed on tombs as receptacles for offerings ( Burial); of these, the amphora Athens, NM 804, with a height of 155 cm (the stand has been replaced and thus …

Solium

(184 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] [1] Seat Roman high seat with foot-, arm- and backrest, throne; the solium was the seat of kings (Ov. Fast. 3,358; 6,353) and, presumably as early as in Etruria, the symbolic seat of a pater familias . It was inherited from father to son, selling it was considered shameful ( Salutatio ). Hurschmann, Rolf (Hamburg) Bibliography F. Prayon, Frühetrurische Grab- und Hausarchitektur, 1975, 111 f.  Th. Schäfer, Imperii Insignia. Sella curulis und Fasces. 29. Ergänzungsheft MDAI(R), 1989, 26 f. [German version] [2] Bathtub Roman bathtub for one (Mart. 2,42; Vitr. 9 …

Clavus

(113 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] ‘Nail’, in the context of  clothing: ‘stripes’. The decoration of a  tunic with purple clavi extending from the shoulder to the lower seam at the front and back, served to denote rank in Rome. Senators, their sons (since Augustus) and officials wore a tunic with broad stripes ( lati clavi), equestrians one with small stripes ( angusti clavi). The clavi could be woven in or sewn on, cf.  Dalmatica. Hurschmann, Rolf (Hamburg) Bibliography H. R. Goette, Studien zu röm. Togadarstellungen, 1990, 8-9 J. Bergemann, Röm. Reiterstatuen, 1990, 23-24 B. Levick, A Note on the …

Calenian Pottery

(144 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Generic term for lower Italian black-glazed pottery ( Relief ware), evident from the second half of the 4th cent. to the 2nd cent. BC. The term Calenian Pottery (CP) (askoi, bowls, omphalos phialae, gutti) is commonly used for this group of vessels, yet they were undoubtedly also produced in other regions (Paestum, Sicily, Tarentum). Particularly well-known are bowls with medallions, worked in a medium relief (‘Arethusa bowls’); their origin from Cales (Calenus) or rather Campania…

Nestoris

(182 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] A type of ‘Italian’ vase, also called trozella, which was adopted by Lucanian vase painting in the 5th cent. and by Apulian vase painting only around the middle of the 4th cent. BC. The nestoris appears to have been taken on from Messapian vase art. It is known in various forms; typical is its ovoid body with side handles and strap handles (which rise up from the shoulder of the vessel and connect to its lip) which are often decorated with discs (rotellae) [1. 11 fig. 3]. In vase …

Pilleus

(212 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (also pileus). Close-fitting half-spherical or ball-shaped head covering made of fur, felt, leather or wool; adopted by the Romans from the Etruscans (cf. Liv. 34,7). In Rome the pilleus was the mark of a free citizen and was given a slave (Petron. Sat. 41), prisoner of war, or gladiator (Tert. De spectaculis 21) upon manumission. Thus the pilleus libertatis, together with the vindicta , is the attribute of Libertas, who holds them in her hands on Roman coins. P illeus can be used synonymously as an expression for freedom (Mart. 2,68; Suet. Nero 57, cf. Plau…

Chiton

(507 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (χιτών; chitón). Greek undergarment, originally of linen, then wool; probably of Semitic origin ( Clothing). Frequent occurrences in Homer (e.g. Il. 2,42; 262; 416; 3,359; Od. 14,72; 19,242), show that the chiton was already a part of Greek costume in early times, and a favoured garment for men. The chiton came into fashion for women during the 1st half of the 6th cent. BC, and later replaced the  peplos (vase paintings, sculptures). The chiton consists of two rectangular lengths of material ( ptéryges, wings), 150-180 cm wide and of varying length, sewn toget…

Recta

(107 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] The first time the Roman boy donned the toga virilis, he wore the ( tunica) recta as an undergarment; for the sons of equestrians and senators, it was furnished with the insignia of rank ( latus clavus). The long, white tunica with tight upper sleeves which the Roman bride donned on the eve of her wedding, which she slept in and wore on her wedding day was called recta or regilla (Plin. HN 8,194). Clothing; Toga Hurschmann, Rolf (Hamburg) Bibliography Blümner, PrAlt., 336, 350 f.  C. M. Wilson, The Clothing of the Ancient Romans, 1938, 138-145  D. Balsdon, Die Frau in der röm…

Facial expression

(469 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] FE means the expressive motions of the entire face (moods) or parts of it that spontaneously indicate a momentary human mood or are deliberately assumed with the intention of making a particular expression. FE's are often situation-related and supplemented by  gestures ( Gestus) or even only become comprehensible through the latter. On the stage individual characters were shown with differing FE's ( Masks,  Mimos). FE's were also a means of providing a person (e.g. a philosopher, …

Palimpsest

(350 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (παλίμψηστος/ palímpsēstos [βίβλος/ bíblos or χάρτης/ chártēs], lat. codex rescriptus). A 're-scraped' book, papyrus or parchment leaf, prepared for renewed writing after its first text was scraped off. The first text was either wiped off with a sponge or scraped away with pumice stone. This method was already used in Egypt (e.g. PBerlin 3024, 12th dynasty, from c. 2000 BC), and was also standard practice in later periods, out of thrift (Cic. Fam. 7,18,2) or lack of virgin papyrus or parchment (cf. Catull. 22,5). Plutarch (Mor. 779c, 50…

Antyx

(109 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (ἀντυξ; ántyx) Raised metal rim of the Greek shield (Hom. Il. 6,118; 15,645; 18,479 and passim); also refers to a hoop-like railing or ledge of the Greek racing and war chariot (archaic vase paintings [1.524 fig. 44]), which could be used to hold on to when stepping in or out (Hom. Il. 5,728 f.; 16,406). Evidently made of wood (Hom. Il. 21,38). When the chariot was not in motion, one could wrap the reins around the antyx (Hom. Il. 5,262). Hurschmann, Rolf (Hamburg) Bibliography 1 C. Weiss, M. Boss, Original und Restaurierung, in: AA 1992, 522-528. J. Wiesner, Fahren und Reit…

Mattress

(116 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (τύλη/ týlē; Latin culcita, torus). Mattresses were laid on the Greek and Roman kline (lying on the supporting straps of the kline, Petron. Sat. 97,4) or were spread out directly on the floor (Ath. 15,675a; Alci. 4,13,14; χαμεύνη/ chameúnē: Theoc. 7,133; 13, 33). Mattresses were filled with wool, straw, reeds, sea grass, hay, hair, feathers; the feathers of Germanic geese being especially valued (Plin. HN 10,54, compare Ov. Met. 8,655 on rushes). There also was the κνέφαλλον/ knéphallon (Poll. 10,42) and the τυλεῖον/ tyleíon, the fine underbed made of wool cut a…

Crepundia

(88 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] A piece of jewellery or a toy, usually metal, for small children in Rome. Besides the bulla ( Ages), children wore several such miniatures as an  amulet, strung on a chain and worn around the neck or over the shoulder. The crepundia were also used to identify abandoned children and were kept in a cistella (little chest) together with other children's items (Plaut. Cist. 634ff., Plaut. Rud. 1151ff.).  Amulet;  Jewellery Hurschmann, Rolf (Hamburg) Bibliography E. Schmidt, Spielzeug und Spiele im klass. Altertum, 1971, 18-21 incl. fig. 1.

Greeting

(1,186 words)

Author(s): Hurschmann, Rolf (Hamburg)
I. Gestures of greeting [German version] A. Handshake According to Greek and Roman custom, one would shake the right hand of guests, family members, close acquaintances or friends and squeeze it firmly (Hom. Il. 10,542 et passim; Xen. Cyr. 3,2,14; Aristoph. Nub. 81; Plut. Cicero 879; Plut. Antonius 952; Plut. De amicorum multitudine 94b), both as a greeting (according to Plut. Caesar 708 more a form of affability) and to say good-bye. Shaking hands was seen as a sign of friendship and trust (Xen. Cyr. 3…

Canistrum

(110 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (Greek κανοῦν; kanoûn). Flat wicker basket; it served as a fruit basket (Ov. Met. 8,675) and was used in agriculture (Verg. G. 4,280). Canistra of sturdy materials (clay, silver, gold) were used as receptacles for liquid substances, e.g. honey and oil. The canistrum was also a device for sacrifices (Tib. 1,10,27; Ov. Met. 2,713 and more); often represented in Roman art in this role, the canistrum con…

Calceus

(275 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Roman shoe or half-boot made of leather that was probably adopted from the Etruscans and was part of the clothing ( vestis forensis) of the noble Roman citizen. If a member of the nobility dressed in other shoes in public, he would be criticized (Suet.Tib. 13; an exception was the dress for the banquet at which people wore the solla; Hor. Sat. 2,8,77; Mart. 3,50,3; Suet. Vit. 2). In Roman liter…

Geneleus

(237 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Sculptor of the archaic period, famous for the family group with his signature in the Heraion on  Samos (560-550 BC). The group consists of the reclining figure of the founder ...ιλάρχος, three standing girls (unknown name, Philippe, Ornithe), the fragments of a young man, and the enthroned mo…

Canosa Vases

(129 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] Type of  Apulian vases, between c. 350 and 300 BC, probably made exclusively for use in graves. Their distinguishing feature is their decoration in a variety of water-soluble pigments (blue, red/pink, yellow, pale purple, brown) on a white background. Preferred  vessel forms are the volute-krater, cantharus, oinochoe, and askos, whose main bodies were frequently decorated with figures of women on small pedestals and with three-dimensional decor (winged heads, gorgoneia et al.). The gre…

Paestan ware

(394 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] PW first developed in around 360 BC when immigrant artists from Sicily founded a new workshop in the southern Italian city of Paestum (Poseidonia), the leading masters of which were the vase painters Asteas and Python. Both are the only vase painters in southern Italy whose signatures are known on vases. The Paestan vase painters favoured bell craters, neck amphorae, hydrias, lebetes gamikoi (nuptial cauldrons depicting mostly wedding but also funeral scenes), lekanides (cosmetic/trinket containers), lekythoi (one-handled flasks for perfumed oil) and jug…

Sakkos

(144 words)

Author(s): Hurschmann, Rolf (Hamburg)
[German version] (σάκκος/ sákkos). Closed bonnet, esp. popular as a headdress of Greek women in the 5th and 4th cents. BC. The evidence from Attic vase paintings and tomb reliefs shows the sákkos worn mainly by female servants, whereas in southern Italian art it appears as the headdress of any woman. Sákkoi frequently had a loop on the calotte for hanging them up and often tassels hanging down. Some sákkoi were unadorned or decorated with simple lines, while others were richly decorated with ornaments of meanders, waves, scrolls and similar. The sákkos was not necessarily the only hea…
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